Hundred-Foot Faces

» Sun-bleached vérité documentary teaser, handheld 16mm texture, natural harsh daylight. Opening: extreme wide from across a roaring intersection — a bamboo scaffold clings to a ten-story billboard where a half-finished colossal painted face gazes out over the traffic, four small figures moving along its cheekbone; street horns and crow calls, no music. Cut to: macro craft beat — house paint folding like cream in a rusted tin, a chalk grid snapped across raw concrete, a two-inch brush laying a highlight the size of a door into an enormous eye; a lone harmonium drone rises under the scratch of bristles. Cut to: vérité scaffold framing — the foreman, brush tucked behind his ear, laughs at a question we never hear, then goes quiet and looks down at an LED hoarding flickering to life across the road, his silhouette tiny in its glare; only wind moving through the scaffold ropes. Cut to: final shot — monsoon dusk — the crew hauls the tarps off the finished giant just as the streetlights catch it, and the whole intersection of scooters and umbrellas seems to tilt upward at once to look; a swelling string chord under one rolling thunderclap, cut to black on the first raindrop striking a paint tin. Sun-faded Kodachrome 16mm grade with dust and gate weave, organic grain, golden-hour volumetric haze, ultra-detailed, patient handheld vérité movement, documentary trailer pacing, no text, no captions, no watermark.